Untitled (after Richter), 2014

Kim Fasher and Sarah Mosca (SuperKaleidoscope) with Meredith Williams and Todd McMillan, Oil on board, beeswax, lead, gelatin silver print, 16mm film still

This installation sits at the threshold between curating and art-making. Created by two artists (Kim Fasher and Sarah Mosca) who are also curators, Untitled (after Richter) explores the porous boundaries between authorship, collaboration, and the role of the exhibition itself as medium. Developed in dialogue with two additional invited artists Meredith Williams and Todd McMillan, the work was presented within a broader group show on collaboration.

At its core, the installation meditates on melancholy and mortality—inspired by the emotional distance and stillness of Gerhard Richter’s seascapes. It also reflects on the afterlife of images: how they’re consumed, circulated, and reconstituted. The objects on display—paintings and sculptures derived from other images and forms —mirror the recursive logic of reproduction, creating a mise en abyme of artistic gesture.

What results is not just an installation, but a shared field of inquiry—where making and framing coalesce, and where authorship is a layered, collective act.

Exhibited in FLEET, Curated by OK YEAH COOL GREAT (Kate Beckingham and Anna McMahon)

Darren Seltmann and Vicky Browne; Kylie Banyard and Ron Adams; Kim Fasher and Sarah Mosca (SuperKaleidoscope); Charles Dennington and Tully Arnot; Todd Robinson and Mark Titmarsh; Monika Behrens and Rochelle Haley

Presented at Metro Arts, Brisbane, 2014