Kim Fasher is an Australian artist/curator based on Darkinjung land, Central Coast, NSW. She is interested in many things; some overlap some don’t. Examples include: psychological forces, the neuroscience of consciousness, telepathy, time, memory, ruins, the sculptural possibilities of photography, how we engage with images, the internet, AI, AGI, women, anger, female rage, actions in the everyday; fires & full moons; motherhood, false histories, rituals, pursuits of greatness, failure, collaboration, conversation, cross-pollination; the interplay of image, object and action; materiality and attention.
Her work emerges from an intensive research process through which she constructs photo-sculptural installations or exhibitions. Collaboration is central to her practice—both materially and conceptually. Through co-authored works and curatorial dialogues, she explores the generative tension of shared authorship and multiple perspectives.
Recent solo work has explored the female experience - in particular motherhood as an ever-changing landscape of contradiction; mundane yet mystical, monotonous yet revelatory. She is now collaborating with her sister, Harrie Fasher, on a body of work investigating ruins and rituals through a female lens. Together, they frame ruins as sites of transformation—where destruction, materiality, and memory intersect. Works are being made at the historic Portland Foundations site.
kim.fasher@gmail.com